00:00:00: Wow, Jeff Bridges called me today.

00:00:03: This is my favorite camera of all time!

00:00:13: They're gone, they don't make this anymore.

00:00:14: If you want one?

00:00:15: You gotta go on eBay!

00:00:16: If buy one in Ebay roll the dice!

00:00:18: Their quirky and got attitude their weird to use.

00:00:21: This device is a storyteller.

00:00:24: okay The camera pans from left-to right And there's small slit that exposes light as it sweeps across film negative.

00:00:30: That's what gets your image.

00:00:31: Listen

00:00:32: I don't even know what I wore.

00:00:39: Well, you... You look a lot like cameras!

00:00:41: That's the first thing that we found was Jeff Bridges' white-lux camera.

00:00:48: So you were not known for using the white-lax camera?

00:00:52: That is what you brought in and your ability to make beautiful photos

00:01:02: with it.

00:01:04: Thank

00:01:07: you, honey.

00:01:14: And with that, welcome to.

00:01:15: What's the Story?

00:01:16: The photography podcast where we talk about the stories behind the pictures or behind a documentary.

00:01:25: Sometimes it is totally crazy how things happen like this because I got an email from Nina.

00:01:43: My job as Sportshow Redakteur, but then the one who does this podcast here.

00:01:48: What I think happened for the first time is that someone wrote me out of ARD Cosmos as a podcast host and I'm really happy about it!

00:01:57: And she said to me, David we have such an new docu in the ARD mediatek cancer which may be something also for your audience or your listeners.

00:02:09: Do you want Doku Jeff Bridges analogous Abenteuer irgendwie in dein Podcast zu erwähnen.

00:02:16: Und dann habe ich gedacht, das ist ja irgendwie verrückt weil eigentlich denke ich ein bisschen größer.

00:02:21: wie wäre es wenn wir denn nicht eine eigene Folge machen und dann denjenigen Einladen der diese doku gemacht hat und der sitzt mir jetzt digital gegenüber?

00:02:32: And it's a bit, I'm a little Starstruck.

00:02:34: But Ingo, I'll be right there.

00:02:36: Welcome Ingo Schmoll!

00:02:37: Hi, nice to have you here.

00:02:38: Hello, good day David, hi.

00:02:41: Starstuck is great and that hasn't been heard for quite some time

00:02:43: now?

00:02:44: Yes... It really is so that often we meet in my youth or even in my childhood.

00:02:52: I hope this doesn't go wrong with us talking about an age but If you're still not that old, then google it.

00:03:05: Ingo sat earlier in the jury of the mini playback show.

00:03:11: That's really a low-light.

00:03:13: my career so

00:03:14: to speak I have loved this as a child must say.

00:03:18: There are some people who remember all these things from time So to speak.

00:03:23: Of everything you could choose because those were mine Total is low light, so to speak.

00:03:31: But hey!

00:03:31: It's a good entry, it's nice that you're here, David.

00:03:34: Before and where else are we going?

00:03:35: But hey, watch

00:03:35: out ... it goes on.

00:03:36: That's why I said yes You accompanied me because at some point i grew up from the mini playback show too.

00:03:43: And by the way just briefly about when there was low light The Mini Playback Show inspired many children also What to do with music, to love and sing.

00:03:56: To trust yourself on a stage.

00:04:00: So low I don't find that sad at all.

00:04:02: but it was also really cool show.

00:04:06: That's what i think nowadays.

00:04:09: And then you were... MTV moderator, the second German who was allowed to moderate at MTV as if there wasn't a German sponsor yet but was produced in London and was on English.

00:04:22: And even then you accompanied me through my musical career.

00:04:28: Yes!

00:04:29: I'm really happy about that.

00:04:30: and now you're accompanying me here with the theme photography.

00:04:35: Oh, and we have another common story.

00:04:40: I just kept the one live button up here because you also worked on WDR One's live at the radio station for a relatively long time.

00:04:52: Two thousand fifteen... Eighteen years?

00:04:54: Eighteen!

00:04:58: Wow!

00:04:58: It was heard in two thousand fifteen and

00:05:01: i started it in twenty sixteen.

00:05:02: So they almost missed us.

00:05:04: You know, this is the fate of my birthday.

00:05:06: Because I'm in a relatively old age for the show and then you asked me nicely to do it.

00:05:11: Could be for others as well but that's what i did too.

00:05:14: It was a great time anyway!

00:05:16: And i wasn't sad at all about how it ended.

00:05:19: Of course on a kind of mental level or something like that... But not in the sense of bitter or anything else.

00:05:25: So i gave up nicely.

00:05:27: Maybe then go back to the next wave, into the older waves.

00:05:30: But that wasn't my thing at all.

00:05:33: I've already made films and docus about it for a while now And I'm also involved in them because I no longer had the crazy demand or something like this for twenty-five years before the camera and from the microphone to continue.

00:05:44: So it sounds strange for some people who would say hey but for me it was exactly so.

00:05:51: You had an amazing show which is still available today.

00:05:55: One Life Plan B A show that takes place in the evening from eight o'clock in the morning, where the mainstream pop is not played.

00:06:03: I'll say it now without a pop protection on the microphone.

00:06:06: sorry for that if you just got into your ears but For young artists such as a platform which then comes into rotation eventually or will be presented first.

00:06:19: cool music European, from a European foreign country of course also music that we don't know yet from the USA.

00:06:25: So really new kind of music you can get to know there where doors open in principle.

00:06:32: so I'm very grateful for this format is still

00:06:38: available.

00:06:39: Let's see how long it will be.

00:06:40: but yes You've had enough of a great show definitely and you are probably still here as well.

00:06:44: i haven't heard about it for a while now because you have a lot of choice here.

00:06:47: Nowadays, everything can be adjusted.

00:06:48: But yes it was a great time and there were also very cool guests who came by with the really very high-quality guest from book authors about musicians, filmmakers etc... It has always been an exciting broadcast for me in any case.

00:07:01: I am very grateful that i was allowed to do this for a long time.

00:07:06: Yes, very nice!

00:07:07: Cool.

00:07:07: And what did not happen on my bingo card?

00:07:10: Now when i think over yourself Also what you had to do with photography, it somehow came in suddenly and I'm totally happy about that.

00:07:22: How is your relationship so fundamental for photography?

00:07:27: Well this relationship comes from making films myself.

00:07:31: So actually more on film photography.

00:07:34: when you want to make films with Allah We also film at home.

00:07:40: And that's a bit of an issue, right?

00:07:43: So you're interested in it too... Some people maybe not because they do digital films.

00:07:48: for me It was always different Because I always film for something very special So from the look to work with it and so on and so forth.

00:07:58: But now i don't think about it At least not the born photographer or anything.

00:08:08: What do you encounter in photography and film?

00:08:17: Videography, so to speak.

00:08:18: And where are they different?

00:08:21: So of course the

00:08:36: encounters, especially

00:08:39: at least until a while ago in the past very much because it was just shot exclusively on film.

00:08:46: That went into the two thousands somehow already still and then there were gradually the complete change into digital.

00:08:55: that It's happening right now.

00:08:58: In principle, something is going on that you can compare with the revival of vinyl.

00:09:03: So film comes back not only as a friend photography or for example people buy photo cameras again to show their little things but also in the scene movie world so to speak.

00:09:15: films are just real topics.

00:09:16: it becomes very much filmed again where one can afford what you have to say because he is also very very expensive.

00:09:23: fun Definitely, but Kodak drove the productions high.

00:09:27: It was shot in front of brands that are unusual like five or six millimeters, so blown up to seventy millimeters for projection and such.

00:09:35: So it actually happens again.

00:09:38: In the past, logically both were only films there.

00:09:41: Both when photographing as well as making movies This work used to be standard And this has changed at some point.

00:09:52: And I mean, the funny thing is that even today everyone talks about film look.

00:10:00: That everybody wants to have a movie look and it has got something to do with it.

00:10:08: One of my photographers says this too... I think Marwan from Silverbrain Classics said what had to be called Just about the film look that you want to achieve in digital, because the digital images don't come up with what the real film look can ultimately achieve.

00:10:27: That's the bridge!

00:10:28: You already talked

00:10:30: about vinyl and we watch a lot of this retro move right now, namely with movie films and with vinyl... Journaling is back in, which used to be nothing else than an analog diary.

00:10:48: Write away from the iPhone notary's app.

00:10:52: I write something into a book that somehow remains and maybe glue stickers or a sheet of paper or whatever it reminds me of.

00:11:00: so everything comes somehow back.

00:11:03: can you explain this?

00:11:03: You can already

00:11:05: explain that relatively lightly.

00:11:08: like that It's also counter movement right.

00:11:11: So in quite a few parts i think because of the digital world, to the most accelerated one.

00:11:21: And a photographer who also appeared in films said it very well and she said that I was somehow able through the possibilities which I had there to photograph massive images.

00:11:32: I was overwhelmed!

00:11:33: I could no longer focus on what I really like.

00:11:37: I could just shoot hundreds of photos but at some point I was interested and focused on it.

00:11:48: And this is different from analog photography, where you have to think a lot more about why do i make that picture?

00:11:54: And how did they come up with the idea of making an analog film again?

00:12:00: That's what it really is!

00:12:02: One side is the acceleration, other side is also the anti-moving process.

00:12:05: The possibilities between these two are something which I watch in my films as well... I think that's what she was able to tell

00:12:13: me.

00:12:14: Yes, so... I thought about it and you're actually talking about it.

00:12:17: It goes with all these analogues of the real thing but also for the tempo as well.

00:12:24: These are two things which I believe in, right?

00:12:27: To go out a little bit faster or something like this.

00:12:30: With my colleague over at Analoge Photography I talked to him and pitched it.

00:12:36: He said, if i have my analog camera in hand then its for me to speed up.

00:12:40: And he felt that as an opposite because the pressure was much bigger than his.

00:12:47: That the photo has to be better cause only this one chance is left.

00:12:51: So you can no longer adjust it so to say... ...and when it's lighted at once there will always be on film.

00:13:00: Either crap or good.

00:13:02: So that's totally exciting because I haven't seen it like this before, so for me it is more

00:13:09: of an acceleration.

00:13:10: There will probably also be on which environment you do then?

00:13:12: If now you work professionally and have to know what you are doing there otherwise if your analog photography is produced in short time , these are naturally problems with your hire, but basically let us say As a hobby user, it is of course an acceleration and you can do that to make the advantage of feeling this acceleration.

00:13:36: A bit like when one would put on a plate or something where there's also a big difference between pressing the button and playing mp-III.

00:13:46: For example in my living room I have a sound tape again.

00:13:49: That's also something like that.

00:13:51: So you can change it to hear another song or so.

00:13:55: And therefore I just leave it on and I think it's great, that I'm basically locked in the tape which is running right now etc... And somehow this is cool!

00:14:05: At least for me it does.

00:14:07: well, let's say.. I like it!

00:14:08: Yes i totally understand.

00:14:08: You describe yourself

00:14:11: of course ..I have your Instagram a bit feed gestocked and you describe yourself as analog nerd.

00:14:19: And I saw, you posted a picture of an old iPod from I don't know which picture

00:14:27: you mean, but ok.

00:14:28: If that's the case, I think it is.

00:14:29: You've probably been on my profile a lot lately than me because there isn't much to write about myself at all!

00:14:33: But in any case

00:14:33: you must have seen the

00:14:34: Arfex-AX-VIII-II-C for example... Ariflex.

00:14:36: The company that also builds the modern Alexas and so on, these cinema cameras... they have already

00:14:47: built film cameras

00:14:49: all over.

00:14:49: the world actually started

00:14:52: with filming cameras very early in the morning at some point I think even during war times

00:14:57: or something

00:14:57: like this.

00:14:57: they developed a camera which was the Ariflex or the other reflexes.

00:15:00: There were different models, at some point there

00:15:05: was the two Cs and

00:15:12: the two c is actually so The standard camera has been filmed with a large amount of cinema film.

00:15:25: So that's basically just a small hand camera.

00:15:31: I have my stupid way down now otherwise i would have kept it in the camera for a short time.

00:15:47: but maybe you can show me one photo.

00:15:50: Yes exactly.

00:15:52: And the other flex.

00:15:53: It really Everything, everything was really shot from there.

00:15:57: Kubrick had a lot of shooting with his films.

00:16:00: that is always the hand camera.

00:16:01: whenever you see a hand camera in your film he has it served himself regularly and keeps an eye reflexes on the hand.

00:16:07: That's a thirty-five millimeter camera which is relatively loud.

00:16:10: so they can be used for sound recording.

00:16:12: So these scenes were always dubbed by all means, if it sounds like this, synchronized later.

00:16:18: But then I actually have two of those things because I'm a collector and when one comes out, the other.

00:16:29: And it was also in use for this film because we filmed something like that with the Doku.

00:16:35: There is also a sixteen millimeter Arri Flex but thirty-five millimeters is not possible to shoot films today.

00:16:45: It's an amazing experience!

00:16:46: And it's also an incredibly expensive experience.

00:16:48: What do you have to say about it?

00:16:50: It goes on for about three and a half minutes.

00:16:57: And when you calculate it, you develop it, scan it

00:16:59: etc.,

00:16:59: and immediately you start with material of five hundred euros.

00:17:02: That's already an assumption that is also there.

00:17:05: You really have to think very carefully what you are shooting here or else you will be very fast, very moneyless

00:17:12: exactly!

00:17:12: Yes totally so.

00:17:13: this is both the pain in history as well.

00:17:14: but yes I find part of the acceleration that you then think much more consciously about what to do.

00:17:24: And I find this also in a time when we are now becoming highly philosophical and... Gesellschaft kritisch zu sagen.

00:17:32: aber in einer zeit in der wir über eine wegwerf gesellschaft sprechen und alles irgendwie wenn es kaputt ist einfach neu kaufen schnell bei ermaßen hier kommen neue taschenlampe dies das so.

00:17:44: Bei einem film den du in eine analoge kamera legst hast Du halt einfach auch im hinterkopf.

00:17:50: ok der film hat einfach schon mal keine ahnung.

00:17:52: dreizehn euro gekostet und die entwicklung koste mich halt auch noch mal.

00:17:56: Irgendwas zwischen zehnundzwanzig Euro also That's money, which flows in there.

00:18:04: And accordingly

00:18:08: the picture is also worth it as a single one.

00:18:11: Probably!

00:18:11: So at least if you really give yourself a try... But first of all we have to get out now that things are going

00:18:15: well, right?

00:18:15: We're coming into the plow then.

00:18:16: I've naturally looked up my doku and that's what this should be about.

00:18:24: Now comes again Nina's play and her coincidence ...and that's really crazy.

00:18:29: Do you believe me or

00:18:30: not?!

00:18:31: Ich fliege jetzt im November wieder nach Ghana, ich begleite da die Geralt Asamoa-Stiftung und freue mich total drauf.

00:18:36: Dort werden herzkranke Kinder operiert.

00:18:39: also wenn ihr zu Weihnachten mal ein Euro überhaupt oder so dann ist das ein toller Zweck wo Ihr wirklich Geld spenden könnt dass ankommt.

00:18:47: Das soll aber nicht das Thema sein sondern ich fliehe rüber Und ich habe mir überlegt was kann ich im Vergleich zum vergangenen Jahr noch anders noch besonders machen?

00:18:56: I thought that this analogue camera should be a special one.

00:19:02: And then, because of Peter McKinnon... ...I'm also very big fanboy from him for quite some time now and he told me something about the white looks before the White Looks X. Then i always watched it on Ebay but they just don't pay for it.

00:19:24: It's too expensive!

00:19:26: So and then I further researched it.

00:19:28: And that shouldn't be a topic now, but still want to say something about me at some point in the horizon.

00:19:35: two hundred two landed so to speak.

00:19:38: the russian ponder on this.

00:19:40: yeah Yeah, they are very good and i have them with ebay somehow smaller shows for money too But bought some small amount of money and I will take those with me after Ghana and there I would like to make photos with it longer.

00:19:57: We go to the thing then I have this camera here legen und hab gedacht bevor ich nach garner damit fliege will i auf jeden fall mal eine rolle damit durch schießen um zu gucken.

00:20:06: funktioniert überhaupt so.

00:20:07: Und wie funktioniert sie?

00:20:09: weil das ist ja auch ein besonderes art der photo eine besondere art der fotografieren, und ich hatte sie immer hier liegen hat mir keine zeit genommen sie auszuprobieren.

00:20:17: und dann schreibt Nina We both talk about us and suddenly I'm so hyped from this whole story that yesterday, the day before yesterday with my camera just went out and hunted through a roll.

00:20:31: And it was so beautiful because in such an entirely different sphere he brought me into another kind of photography.

00:20:42: That's so crazy!

00:20:45: Because... I don't think now at some point Spiritual things, but the camera is here and suddenly a message from Nina gets sent.

00:20:52: And today we're talking about this topic!

00:20:55: So it's not an accident.

00:20:55: No coincidence... And I hope you

00:20:57: didn't put your finger in the picture when developing these things because that's also such a subject with cameras where one has to keep them completely different so they don´t get their fingers into the picture just as they have this panoramic view.

00:21:10: That's always the first thing Jeff shows me.

00:21:14: He finally bent his finger again on my wide looks.

00:21:17: I said, you have to hold it like this and so on.

00:21:19: Have you really bowed down to Manuel as I had to?

00:21:22: And then left with Jeff Bridges himself!

00:21:26: Yes

00:21:28: that would be very cool.

00:21:30: So now we come back after twenty minutes for the core of our story.

00:21:38: today You made a documentation about one story EINIGERMASEN.

00:21:44: the forgiveness of all those who live there, but in the province meets or speaks with two people and does an interview.

00:22:13: And how do they react?

00:22:19: Hey!

00:22:19: Don't you maybe want to put up your camera somehow?

00:22:23: and then it suddenly develops.

00:22:29: What is this recipe for these docu?

00:22:34: All that Hollywood legendary actors curiosity analogue history.

00:22:41: so what did I add?

00:22:44: What did he tell you?

00:22:45: that you said, hey

00:22:48: we have to accompany this somehow?

00:22:50: Everything.

00:22:50: Everything from there David!

00:22:51: So basically everything.

00:22:52: I mean.

00:22:52: the initial solution was in principle exactly what Jeff has been playing since he was a fan of Dude at all latest but also other films which I think are great Crazy Hard, True Great, Starman with John Carpenter and so on.

00:23:06: The Gansler Lords.

00:23:07: Whatever!

00:23:08: This is Jeff Tollefant and I saw him at Jimmy Kimmel in the talk show before about two years ago when he brought his wide looks to the audience.

00:23:16: He made a few pictures of Kimmel there and said that my favorite camera will not be built anymore because it has been burned down since the work in Japan.

00:23:27: We are missing the spare parts, this thing is constantly breaking together.

00:23:33: It wasn't even a crazy construction at that time because it was fabricated between the year and the year two thousand.

00:23:39: He always had his wish to relaunch these cameras And as you already explained he talked about people who have something to do with photography Paris Schouler and Marvin Mosellien.

00:23:51: That's Silver Green Classics in Bad Nauheim, a very nice province.

00:23:55: And the two have a photo laboratory and run a photomagazine, a real haptic paper photomagine that they sell worldwide from Bad NAUheim in mail order, in English language.

00:24:10: Jeff and his team got this thing at some point and so it came into contact with him.

00:24:15: He told Kimmel in the talk show two years ago Yes, I was planning to launch this camera with two Germans.

00:24:22: But I only made a little noise and thought that there were two Germans.

00:24:27: who are these two Germans?

00:24:28: And then I researched it and found them!

00:24:29: It was also very happy in such a way as the two of you are really great people, love people, cool guys ...and she is actually an ordinary American and has been here for many years because he married Marwan.

00:24:44: He's also a partner in the lab.

00:24:46: And these two made her very, very dear to people and I asked them how likely do you think we would like to make a film about Jeff himself?

00:24:58: And tell this story that you experience there.

00:25:00: Then they asked him of course his wife Susan who plays another role because she is number four all over or one of those four.

00:25:10: So these are Marwan, it's Karis, it' Jeff and it's Sue.

00:25:13: And then they both said, we want to do it.

00:25:16: And that's what developed after and after this docu.

00:25:20: We then clarified which possibilities there were in doing so how the look could be.

00:25:28: Of course I thought about how you tell history?

00:25:31: A very important point one has to say is a Hollywood star who And from the caliber of winning a German Doku is like, I don't know, a sixth in Lotto or something.

00:25:47: So that's almost impossible because usually it will be possible to bring some money with you or not at all.

00:25:56: It's not about the fact that people get a lot of requests for something better.

00:26:01: in this sense, it's all possible and that is the whole world.

00:26:08: And they have an army from their team which stands before them and filters everything out.

00:26:15: In the end such a request doesn't come to mind anymore.

00:26:19: That was my huge Trojan horse.

00:26:21: as always you want me to call him that.

00:26:23: the two of them had this direct contact and could tell him about it.

00:26:29: And then he just said, I'm really excited to do so!

00:26:30: It can be that if i went over his agendas or heard a publicist or something like that they immediately said no let's stay here.

00:26:37: He is not interested in us but you always have ... or at best a little luck has actually worked out.

00:26:44: He met

00:26:45: you with him for the first time.

00:26:50: You said that he was a fan of yours and it's also an appearance, he has a great aura or a great expression.

00:26:59: How did this happen?

00:27:03: And how difficult is it to work with someone who made so many films but you are the director and have your own ideas.

00:27:17: So funny

00:27:18: good questions, especially.

00:27:20: That's more part of it.

00:27:22: The one thing is that I usually have to do with famous people since my age.

00:27:33: Most are in my case musicians sometimes actors and so on from a completely different caliber.

00:27:39: but anyway i always listen to people who make something before the camera.

00:27:44: they're just known.

00:27:45: At some point you lose this moment completely.

00:27:50: That means we are just peers, people who have eyes on us and that is what it has to do with me.

00:27:57: For actors depending of whom you choose, especially if you pick a certain actor from abroad or America in the first line... ...that's different because I'm totally North.

00:28:07: I love movies more than music actually.

00:28:12: And Bridges was one of them, especially because of this absolute cult role in Lebowski as well.

00:28:18: This contact with him came to us and it was crazy.

00:28:23: My first contact with her was via a Zoom call which actually happened only one day before we started shooting together at Santa Barbara in California where he lives.

00:28:37: In the first moment that call was almost surreal as the first meeting, but the zoom call was really surreal.

00:28:43: So that guy suddenly appears on the screen like I know him and then he talks to me somehow and it's weird.

00:28:51: And Karris had to laugh at himself because i really had to work with him for a while in my head.

00:28:57: Then came the next moment.

00:28:59: so this is our first shooting day and there we went home which was also really cool.

00:29:13: And you have to say, I didn't fight with a TV crew of several people or something like that because my films always turn differently in general and what most people don´t know is mostly alone.

00:29:25: That means i make the camera myself, cut it out and do the director himself.

00:29:32: You can talk more about why this happens but thats usually one thing.

00:29:36: The second cameraman for the day was Haris and Marwan.

00:29:42: And I had myself, who turned on side by Jeff and Sue quasi.

00:29:45: That means that i had to drive in advance because we wanted to take care of it at a real moment when they met each other for the first time Because they have always met only about zoom calls for years.

00:29:55: They never met personally in all these years.

00:29:57: It took over six years development from this camera before corona started.

00:30:01: I wanted to have these two moments, so i had to drive alone with my camera and equipment to Jeff.

00:30:08: And ride on this terrain!

00:30:10: That was a really weird moment for me.

00:30:14: It was an out-of-body experience.

00:30:17: Then I stand in front of him and he comes running towards us from the house.

00:30:22: We did handshake, we looked into his eyes... ...and then he first snatched me into his man cave that is his garage.

00:30:32: There are various guitars, a keyboard.

00:30:34: A lot of pictures come from his films or art and he usually sits in such a chair at the moment.

00:30:42: He has a laptop stand with a boombox And looks around all the time at some things that interest him Or shows her too and so on and makes music between them.

00:30:53: So I always say The Dude is rich and older.

00:30:59: It really was like this.

00:31:01: We were, it didn't take five minutes or so.

00:31:05: So we really, really great together.

00:31:08: there was a vibe and that clicked right away And this was great!

00:31:14: It's been an amazing moment with which you can quickly get rid of the tension When it would have been different, right?

00:31:27: Or when the guy turned out to be an asshole.

00:31:28: That's what he is all about.

00:31:30: So you never know how famous celebrities are.

00:31:33: And then... What happened was that we actually started shooting at his house in a living room with Esu and so on and Jeff is through and through creative type filmmaker and so forth.

00:31:48: He told me Is that okay?

00:31:52: if I have an idea and share it with you?

00:31:55: Jeff is in honor.

00:31:56: In any case, tell me what your ideas are for.

00:31:58: And of course no problem at all!

00:31:59: I would be happy to hear about them.

00:32:02: Of course he also liked the fact that I didn't lock myself up and said No, I'm doing this here everything but ... He has great ideas too.

00:32:13: The man makes decades of films where he speaks exactly from there.

00:32:16: And then there are few things like, I'm coming in best from the right.

00:32:22: Then it's a simple thing or so.

00:32:25: but we always said to him, hey let's groove!

00:32:28: Let's vibe you know?

00:32:29: Let's riff and that's how we spent three days with each other.

00:32:36: To his wife who came along he said better than Karris and Marwa were there too.

00:32:42: So Ingo is definitely totally annoyed by Jeff because he has long had some ideas or something like that.

00:32:48: And then the two of them broke up and said, no, they enjoy it completely from top to bottom .

00:32:52: Of course you were right about this in any case , so it was a really great experience for me.

00:32:58: I think that's why Jeff in the end is also very clear through Karris & Marvon, but why did he finally get ready to come to Frankfurt on this premiere last Saturday where we showed him the film first time?

00:33:13: I think about five hundred people were there or something like that.

00:33:16: And he was with them and the two of you too, they would never have done it in a million years if somehow a very cool team had come up who could do this film.

00:33:25: Just briefly is these moments one

00:33:30: reason why you prefer to work alone?

00:33:36: Or are you doing all by yourself?

00:33:40: Decisive question!

00:33:41: You can just say yes but maybe explain again quite

00:33:43: briefly.

00:33:44: I can explain it well, honestly with several factors.

00:33:47: One of them is also costs.

00:33:50: so i have my docus that i used to make for relatively little money because there was no much money in the music television and you think how does one get it still voted?

00:34:00: And then since I've been shooting myself ever since childhood, since teenage times super eight and everything what was like this from the beginning actually always turned things around themselves Later, so now in the meantime it's not like that anymore because there are also other budgets and games etc.

00:34:17: And immediately this would have been possible to do with several.

00:34:19: but In this case or in the meanwhile It is more about having a feeling That I want those things to be done.

00:34:25: To get the A faster if i turn them myself And see how they look as I imagine it in my head And only to convey that to other people in front of a cameraman Is difficult.

00:34:39: There actually exists There are a lot of camera people, but there aren't that many talented people.

00:34:44: The results I know were often a bit disappointing and often disappointed by the things I did with other people.

00:34:53: so it makes more sense to try on your own.

00:34:58: If you build shit then only one person can do what they want because he or she is responsible for them.

00:35:05: You learn a lot.

00:35:08: Mistakes are important anyway and make the most important part of learning, so to speak.

00:35:13: Now I have given you a very long answer on it but that's exactly what this is all about.

00:35:19: These are the reasons in which we come together.

00:35:21: I'm just insanely fast with these things as well!

00:35:25: There aren't three people who pack their equipment and walk from one place to another.

00:35:29: In between there're only two left at the club where someone still has to drink something or eat something else... ...but instead I am really super quick and get efficient.

00:35:39: and I have a very clear picture of what to do, how it should look like.

00:35:48: And that can't be explained at all in the time or maybe not really well at all.

00:35:54: What's

00:35:55: my question?

00:35:56: How did you pitch this topic during HR?

00:36:02: I can

00:36:04: also tell you that the story is a bit different, because at first i pitched the films with my, let's say, Stammsenders.

00:36:12: That was the WDR and Dreysat for the first time And when it came to WDR there wasn't much budget for this year But they thought maybe they wanted to do something about it but in the end it didn´t work out.

00:36:24: There were various factors and then I continued looking for them and decided that Marwan & Karris are sitting near the Häsische Rundfunk in Bad Nauheim And then I tried to find out who is responsible for Dukus.

00:36:40: And when Simon Wroll and his team met, Stefan Tretener, the head of culture at the Hessian Rundfunk would be the fire and flame weapon for this topic... ...and we agreed on it relatively quickly in order to make a film about

00:36:54: that.

00:36:54: Very cool!

00:36:55: So

00:36:55: easy.

00:36:55: So easy?

00:36:56: Let me just send you what my dear friend Merdath has to say right now on Saturday at the premiere.

00:37:05: He also has a question for

00:37:08: you!

00:37:08: Hello Ingo, I'm Merdert here and David asked me to send him a small greeting because of course he liked it very much.

00:37:16: So let's start thinking about this cool evening last week.

00:37:23: Of course, the really successful documentation about Jeff Bridges analogous adventure where it goes around the Whitelux or the newly designed Whiteluxe is very cool.

00:37:35: It's really nice and honestly for me would have been able to give that a little longer.

00:37:40: I think in fifty-five minutes almost too short!

00:37:44: I'm pretty sure there was still some kind of material and you probably ... yes in the post, then decided to talk about a few things.

00:37:53: I would be interested there because Jeff Pledges said that on the panel at evening one or two things meant.

00:38:00: maybe you can tell me what did he say?

00:38:03: Or what do you think he probably knows where and how it wants out of him?

00:38:07: .

00:38:07: Otherwise , what this evening has done with me and this documentation, honestly speaking, I have been photographing for a long time Parallel analogue, allerdings gebe ich zu.

00:38:20: Gibt es das eher so Phasen?

00:38:22: Also mal mehr, mal weniger mein zwei Filme im Jahr und dann leg ich sie wieder weg.

00:38:28: Und da bin ich an dem Arm raus und dachte nur so bei mir.

00:38:31: ey du musst viel mehr analog fotografieren!

00:38:34: Dafür danke ich dir, sag' ich ganz ehrlich dafür danke ich euch.

00:38:38: Es ist richtig cool denn ich finde die analoge Fotografie ist was ganz besonderes.

00:38:42: manche versuchen das in der Post bei den digitalen zu kopieren.

00:38:45: It doesn't work that way.

00:38:48: Filming is really something special and you met me in black and, as I said before now again, I often have to snap

00:39:01: my

00:39:02: analogue.

00:39:02: Exactly!

00:39:03: A question which I asked about how did you do it?

00:39:07: Probably not already but Mr.

00:39:09: Mardewan told us during the documentation Blockbuster, Odyssey and so on.

00:39:20: Nowadays movies are also being filmed as well.

00:39:22: It's a question of costs too.

00:39:24: I'm sure that the public law in Germany doesn't accept it this way but what do you think about it?

00:39:29: How is that for yourself?

00:39:31: Have you produced films or would like to know where do you see the advantages and disadvantages?

00:39:44: You

00:39:46: probably think, but where do you see the advantages and disadvantages of producing videos on film?

00:39:54: I wouldn't be interested in that.

00:39:57: Then just stay with me again at this point to repeat myself cool evening.

00:40:01: thank you very much!

00:40:02: And yes i hope everyone who could not be there should definitely turn down the documentation because he really got something cool.

00:40:11: Who knows... I would be much more interested in the public interest to analog photography, because we all come here.

00:40:26: I can also build for myself a little bit later on.

00:40:29: Well, that should have been it!

00:40:32: Thank you and have fun with the podcast

00:40:35: now.

00:40:36: Thank you for the many, many questions.

00:40:37: For

00:40:38: the praise of course and so on.

00:40:39: I'm trying to recapitulate what he just asked but i think it started with the question that everything was cut off because we wanted something longer and taken out from the film.

00:40:54: there are actually scenes Jeff also told about one evening.

00:40:57: The reason for this is, of course in many cases or most cases the time.

00:41:02: That's quite clear.

00:41:03: but there was also an internal discussion about a scene from which Jeffie told that he was taken out and that it was a scene made up by Big Lebowski where he was pulled through with a skateboard between women's legs into a dream sequence in the film when the dude has a dream-sequence or under the feet of women.

00:41:27: And this sequence was filmed, his family was there and exactly his family were with him because all the girls who danced in that film had bowling pins on their heads like costumes.

00:41:39: so they were allowed to play along at the scene, his families, his daughters ,his wife .

00:41:44: And then he thought maybe it's not a really good idea to take part But anyway, he then put on another one.

00:41:51: He asked the bosses of these other dancers under whose legs he flew through if they were allowed to take a photo with the White Luchsen.

00:42:06: So the pervy so to speak and she said to his staff that yes, do it!

00:42:12: Do this!

00:42:13: And

00:42:14: he goes onto his skateboard, gets down there, is pulled over by him.

00:42:18: makes those photos that a crazy bush from the leotard quilled at the first girl and was surprised.

00:42:27: I thought, oh yeah but it wasn't bad at all.

00:42:29: That's his original idea.

00:42:31: he also told us about this.

00:42:33: He drove through the same picture during the second one And then after the third one they put him in there.

00:42:39: They said to me... they went to the mask picture Quatsher, so falsely said what.

00:42:47: they stopped there and I thought it was a crazy self-empowering story actually from the girls.

00:42:54: And somehow it's funny that you played such a stroke or something like this.

00:42:59: but then ultimately our public legal friends were just a bit too whatever right?

00:43:06: So i didn't get it.

00:43:08: but good sometimes decisions are not really true either.

00:43:12: I think the story is great.

00:43:14: Jeff told me in the morning that it was taken out.

00:43:19: Because he asked, how did this cut go?

00:43:20: Did you have any problems or any internal issues?

00:43:24: I told him about this scene and then he said to me tomorrow... Okay!

00:43:29: Then tell us what happened today.

00:43:31: And yeah.. I love this for a joke.

00:43:35: He explained some special German terms of mine like they don't exist on German now.

00:43:42: but whatever I sit there with him in the panel door after filming and at some point he takes out all of his stories and says, that's what the show has cut off.

00:43:51: But maybe it will be on an extended version.

00:43:53: then you can still see this somewhere else.

00:43:57: And i really laugh at myself because That is something which would have been better if not done by me In that context.

00:44:02: probably a lot of people got annoyed about the hessian rundown but I thought it was cool to tell from him It became more or less about everything.

00:44:10: That was cool, that's why I can now talk about it afterwards.

00:44:16: and otherwise there are actually time problems.

00:44:18: so what is the time problem?

00:44:19: but such a docu has had some length in certain frames in certain measures.

00:44:24: you are formatted in this case Maximal hour and yeah, we just did it for five minutes at the end effect.

00:44:33: And so I think if these scenes were still in there where he told me then probably would have been an hour.

00:44:38: but no.

00:44:39: So that's how this comes.

00:44:41: What was what was the next question?

00:44:43: Let me try you know.

00:44:43: yes The financial

00:44:44: issue of course Like expensive movies or something like that is very expensive.

00:44:50: He had himself already answered And he also asked how much you shoot on film.

00:45:00: You said that you have also shot on film with Unter in this

00:45:06: documentary, right?

00:45:07: I've shot Establishers on films.

00:45:08: So Establichers are basically always pictures of where one is orientated and what it's like.

00:45:14: now for the lion, let me say once when you see a building in a movie somehow .

00:45:18: And next time we go into buildings Then you show the building where one is, so people know that this is how it looks like.

00:45:27: That's what I call a stand mixer and they are always relatively short because if they're short then i can turn the files to me.

00:45:36: And I did that too.

00:45:37: Mostly with an ariflex of about sixteen millimeters and sometimes also with the ariflex of thirty-five.

00:45:43: but that's exactly.

00:45:43: turning all the films into such material would be... That would be very expensive.

00:45:50: You have to get help from Kodak or someone else who pays a little bit.

00:45:53: They probably even had it done if you really took care of that in advance, but I didn't.

00:45:58: In the meantime we also have another Draht to Kodack.

00:46:01: maybe helps with the next film?

00:46:02: I'd like to do this one time, honestly said.

00:46:04: The Doku on film.

00:46:05: A friend of mine from Hamburg, Arne Körner is shooting Dokus on film.

00:46:10: He's also such a Turner nerd and looks great for fictions.

00:46:16: It's probably easier, but it is at least more controlled.

00:46:22: Because I would say such a run and gun situation that you often have with Docus or something like this to form films... ...is definitely even more difficult for me in terms of delivering reasonable things.

00:46:34: We talked about it before.

00:46:35: What happens when analogue?

00:46:37: Things can go wrong there as well!

00:46:40: And then that's expensive and possibly if one loses material has a big problem.

00:46:44: These things It's not that easy to do.

00:46:46: digital production.

00:46:48: I try, but also what many people are trying at the end of the day... ...I'm as close as possible with something which turns out to be digital.

00:46:57: on the film look to orient.

00:47:00: In this case, I turned it into anamorphic optics.

00:47:04: So that thing is completely turned on anamorphics.

00:47:06: That's what you have... That means there are white screens in principle where in TV sometimes they or in this case also the Balkans up and down below a cinema is simply widescreen.

00:47:14: And so be it.

00:47:15: right format has quite certain looks.

00:47:17: The optics have very special looks.

00:47:19: They're not particularly clean.

00:47:21: They've got distortions which somehow feel strange but they're exciting and great.

00:47:26: For me, a lot of film work was done very early on in the morphe at CinemaScope and so forth.

00:47:34: And it's still a format that I love as it looks like what it does with the picture... ...and for this movie it didn't fit because there is also a wide-look camera which actually images almost exactly the same format.

00:47:46: So he offered to make the video in the format of the art and then to color grade them too so you can get close enough And funnily enough, I'm really happy about that.

00:47:59: There were people who weren't sure how much was on the list and how many didn't.

00:48:03: And of course i'm glad it had such an effect!

00:48:08: Yes, very good You made sure with Doku to

00:48:11: get the photobooks from Jeff Bridges.

00:48:19: So just

00:48:21: say it now That's not right at all.

00:48:23: They were already under fire with the ice.

00:48:25: Yes, exactly That's in his photoclip here.

00:48:27: There are some of them, they have been re-installed now.

00:48:30: so there is one again.

00:48:31: He has already brought two new ones when he came for Carys and Marwan I think which missing from it or one of the missing Exactly but she gives back And a long time ago But only for hundreds of euros on ebay and so on available.

00:48:47: They're basically made by all his films that he did in the past.

00:48:53: Let me show you something at all.

00:48:54: Yes i believe this is also in the film.

00:48:57: This is a picture of King the Fisher with Robin Williams, where he takes pictures.

00:49:02: You can already see that there are two sides to this picture because it's just such a panorama photo and so they're all photographed here.

00:49:09: And that always happens in his films when shooting.

00:49:12: He makes photos.

00:49:12: There is one very great thing about him who has also tried out with me which I think is really cool.

00:49:18: It's probably Cuba Gooding

00:49:19: Jr.,

00:49:20: he does something called Tragedy & Comedy.

00:49:24: That means The White Looks.

00:49:25: It has the advantage or the property that you can put the shutter on, for example, at five-tenths.

00:49:31: The photo experts among your viewers know what this means.

00:49:37: That's just how the lens finally swims over nothing but the image surface in fifteen seconds and that means there is a certain amount of time to paint and design it.

00:49:55: And that means, if you take a picture of someone standing in the left half of an image and solve it.

00:50:01: The person makes a sad face for example... ...and you give him the right moment to turn this signal into a happy face.

00:50:07: You have two times in your picture and on one side he smiles very sadly at another.

00:50:13: This looks like this photo here.

00:50:16: As I said, this is Cuba Gooding Jr.

00:50:18: With one face and on the other side with another.

00:50:21: That's not two photos, that is a single wide-looks photo and a single time released at about fifteen seconds of the white looks.

00:50:29: And because of this Jeff has made pictures in mass and they are his specialty.

00:50:35: Dragidy and Comedy Netaday.

00:50:37: We also tried it out with me at Silverbrain tomorrow for the premiere.

00:50:44: I'm always curious how these pictures turned out But I'm really looking forward to it.

00:50:49: How does he do that?

00:50:49: Do you have

00:50:53: to move or hold the camera, take a photo and swing him once like this?

00:50:59: Or how is he doing that?

00:51:01: Yes!

00:51:01: He says exactly ... You don't do anything as quiet as possible but just make the facial expression.

00:51:04: He dissolves and then says at some point while taking the photo.

00:51:09: of course he had a great feeling for what he did so often.

00:51:11: And then he says change And then you do the other face and he's on the other side.

00:51:16: He knows exactly what he is doing there.

00:51:17: So, so to

00:51:17: speak, he turns his camera like this?

00:51:20: Yes!

00:51:20: He turns it physically in his hand.

00:51:22: Exactly.

00:51:22: And that also shows other things in movies as well which makes up for these cameras depending if they are with a shutter.

00:51:30: There is a lower shutter release that you sometimes get distortions.

00:51:35: If not totally calm or something like this, but these things look so cool!

00:51:39: I myself have done a wide-look and experimented with it many times before.

00:51:43: then I also made pictures there.

00:51:45: They are looking so cool.

00:51:47: they are broken The images are exactly the same.

00:51:49: Then I just gave them a distortion And one would say good That's no normal good photo anymore in that sense But it looks so special.

00:51:57: It has such an awesome effect And Jeff also loves it, that there are some arms in the picture.

00:52:04: That they're three times as long for example like a real one and I think this is really cool too.

00:52:11: He does all of these things with digital.

00:52:13: So you can definitely do everything but... It has its own effect.

00:52:18: Now we're

00:52:20: talking about the photos and the wide looks or the panorama cameras.

00:52:26: I don't want to tell too much, Jeff's story as he came up with it is this.

00:52:32: You can watch all of that in the ARD MediaTek.

00:52:34: Please do so!

00:52:36: It's worth a lot, let me say one more time... I just wanted to say these photos of those panoramic cameras and behind the scenes photographer.

00:52:51: I think it's so amazing, because my community knows how to analyze pictures and interpret them.

00:53:01: That is why I came up with this book which was sold out.

00:53:05: Of course i wanted one or two of these books but on his home page there are many Builder auch freizugänglich, also ohne dass man sich kaufen muss.

00:53:18: Und was ich so toll finde an dieser Fotografie die er macht ist du hast eine Szene von einem set und Du kannst über diese über dieses weite format.

00:53:33: It's like a whirlpool, it happens everywhere.

00:53:36: There is the actress who sits in her mask and then someone gets something out of the requisite or something is rebuilt on the background.

00:53:48: On the left side there is the director and somehow makes no idea what kind of conversation he has.

00:53:59: And you

00:54:00: have so much going through this wide picture that happened to him during one movie... I don't know

00:54:03: which film was it?

00:54:04: In Badezimmer, I don't think it's... In his

00:54:06: brother?

00:54:06: Yes.

00:54:06: And then they

00:54:07: stand

00:54:07: there in a suit and in front of such a mirror on some cloth or whatever.

00:54:09: It

00:54:10: happens so much too!

00:54:11: You can still see through the mirrors that this is just an amazing.

00:54:16: The task is to look at these pictures and see what you can see there, that it's a lot of fun.

00:54:23: Also this photo book!

00:54:32: And I think also in the size of looking at those images... ...I find the format which you just presented totally awesome.

00:54:45: so.... This is another kind of photography that other things are capable than all others cameras i know with their

00:54:59: mistakes, that you sat

00:55:00: there.

00:55:00: And this is the charm and it's part of art.

00:55:02: again I think.

00:55:05: We're going to drink a sip?

00:55:06: In any case!

00:55:06: So for a long time... There

00:55:07: was always the desire to clean as much as possible even sharper and more pixel and these things and what not?

00:55:17: everything and maybe also everything clean somehow whatever geometry goes on and so forth and immediately.

00:55:23: I don't know, it must have been a market for the architecture or something.

00:55:27: But in terms of art and stuff like that... For me always something like this.

00:55:34: Always something that's not perfect, always something that doesn't look perfect with so many characters as in my case.

00:55:45: Exactly!

00:55:46: I'll show you briefly now what?

00:55:47: It might be quite good to put on the title.

00:55:50: Look here.

00:55:51: This is the poster for the film.

00:55:55: The film is called Jeff Bridges Analogs Abenteuer, as I said in the media-tick.

00:55:59: And there they are and making a Weidelux picture right now!

00:56:03: So that's how I took pictures of him taking a selfie together with whom you just talked to.

00:56:08: That was especially in his gallery where he had his pictures taken out.

00:56:12: If at some point he comes back to Germany

00:56:13: for an exhibition... Then I'm with you.

00:56:16: Unfortunately, it's too late to find out from your evening on a Saturday.

00:56:23: So in the sense of the word is too late or else I would have been very happy there.

00:56:28: Nevertheless, I am glad that my dear colleague Lenny was still here and he also sent me a little message.

00:56:36: Lenny maybe as an info for yourself had a small analogue shop in Cologne called Grain Over Pixel And with Lenny I recorded episode one hundred thirty-five where I was with him as a guest Analogue.

00:56:48: cameras in all price segments from point and shoot for, I don't know Lenny sorry when you say forty euro.

00:56:56: Bissin to a größeren kameras die die schon bisschen mehr Geld kosten.

00:57:01: er arbeitet zusammen mit optik old school.

00:57:03: das ist ein Entwickler die übrigens auch vielleicht Ingo für dich ganz interessant.

00:57:07: mittlerweile film herstellen eigenen Film herstellen.

00:57:11: also vielleicht You connect with each other there.

00:57:14: Maybe that's something too, where we were told

00:57:16: about it before?

00:57:16: Yes exactly.

00:57:16: and of course

00:57:19: this is a trend or a sign for when a company in Germany has the good idea We are going to go into it now and make films.

00:57:32: what kind of signal this is for

00:57:34: the market so to speak.

00:57:36: It comes back again in many areas.

00:57:38: And tell me, does Lenny develop the car or sells it to cameras?

00:57:41: He only sells cameras.

00:57:43: But he has a collaboration with Optic Old School.

00:57:46: that means you can give away all films there too.

00:57:48: There are then the bags and he brings them over Or per courier as always.

00:57:56: Then the pictures of Optic old school will be developed and scanned.

00:58:00: Very good If I give this one to Lenny You can already announce him because he made his film with Jeff Jeff.

00:58:07: with my wide-looks photographer, one of my tragedy comedies.

00:58:10: I'll give it to Lenny.

00:58:11: Then he can do that at old school and let me develop there.

00:58:14: Very good!

00:58:14: He will be happy about this.

00:58:16: He definitely sent a message.

00:58:18: I'll play them for you.

00:58:20: So very nice was also great then seeing some people live and getting to know each other.

00:58:25: Jeff Bridges couldn't give his hand now but i could see him on red carpet.

00:58:31: so he was built up in the panel talk.

00:58:35: I found the movie very exciting.

00:58:38: It was also a funny coincidence that two hessians came to Hollywood Star again, in order for this camera to shine a new life or to awaken another new life.

00:58:49: So it's been really cool and thank you so

00:58:53: much

00:58:54: for being here with me and

00:58:59: Shapo.

00:58:59: That was Lenny

00:59:01: Super!

00:59:02: Semblenny, we'll see you in Cologne.

00:59:03: I think he will be very happy

00:59:04: about that... I have two more questions before we close the whole store here.

00:59:11: One question and the answer may not be the skateboard scene.

00:59:14: If you were allowed to expand the docu for one scene A crazy scene a cool scene a scene which caused you to take it out What would this have been

00:59:31: like?

00:59:31: One scene?

00:59:32: I already told you about the Lebowski scene, where Jeff tells this story.

00:59:37: Do you want another one

00:59:39: or...?

00:59:40: Not the Lebowsky scale scene!

00:59:43: Another one?

00:59:43: What else

00:59:44: do we have to say... So in a situation that we didn't take part of yet is that we were also at Photocam.

00:59:55: The only remaining big huge photo laboratory in Hollywood, which is actually everything that will be produced on film these days.

01:00:05: Developing scanners and so forth... We were there with Karrison Marwan.

01:00:08: They gave us a tour of what was totally great about it by Mike Brodersen over there And this was sensational to see how films are made there.

01:00:18: The Odyssey was just when we were working there.

01:00:22: So yeah We had to be careful where we were allowed to look, but in total it was a really interesting thing.

01:00:31: In the screening room all directors of Tarantino sat down and saw what they shot for the first time And that was very exciting as well.

01:00:41: But like I said sometimes you have to work on this Kill Your Darlings story and then just watch the time and take things out.

01:00:52: It just doesn't really work within the story.

01:00:56: So there were stronger things that matched better and in the end it became a scene with Marcel Raft, the cameraman from Euphoria who was shot at the Scenic Gear for film equipment in the Universal Studios.

01:01:11: we left inside.

01:01:11: Yes sometimes this is true but not so much has fallen out about which I am very happy

01:01:27: But that's basically always the case in the end of the episode.

01:01:44: Yes, totally!

01:01:46: And

01:01:50: last question is... There was actually a moment where I chilled with the dude, or someone who has chilled me as always.

01:01:59: There were moments when we talked about music because music is a huge passion of Jeff.

01:02:05: He makes his own music and it's really musical.

01:02:08: In Germany he wanted to organize another guitar so that in between you can play some guitars.

01:02:13: And he plays great piano as well When I asked him if he had seen the last bas-louren film, not the fictional movie about Elvis but this one where he found Elvis material which is very interesting and edited together.

01:02:31: It means epic of that movie who came out three or four years ago with these very sensational pictures from Elvis.

01:02:38: when you are standing on Elvis and when you get to old recordings from the seventies

01:02:42: etc.,

01:02:43: it's great!

01:02:44: And I asked Jeff because i thought it was something for him What did you see in this movie, Epic?

01:02:50: And then he said to me I thought it was pretty good.

01:02:52: But do you know what's really crazy about that?

01:02:56: I saw a recording here on YouTube where Elvis sits for the last time at the piano playing unshamed melody and is totally high and plays these songs in Vegas!

01:03:04: That's what i'm going to show now.

01:03:06: For six minutes we watched this song with the boombox in Jeff's man cave and pulled us into Elvis.

01:03:16: Hi at the piano.

01:03:18: how he plays unshamed melody, it is an unforgettable moment for me!

01:03:23: Did

01:03:24: you also take photos as a memory?

01:03:31: Or is your memory in principle of such moments, for example you in the man cave with him and so.

01:03:37: Is that all in your head or on a thirty-five millimeter movie?

01:03:41: I didn't have much time to take pictures myself but i actually clicked a few times quickly through an iphone which had Marwan happily there with his likeer who made some pictures every now and then.

01:03:52: we really had so many cameras in use between thirty five sixteen millimeters the digital cameras and so on.

01:03:58: It was also from time to time that I thought, okay come here again myself.

01:04:02: a little photo safari is available but because Jeff made us too with Marvin & Carys in his own garden without having done such a safari which you can see in the film.

01:04:10: there are just a lot of these safaris pictures.

01:04:12: they have then knifed.

01:04:13: it's pretty funny as well.

01:04:14: this is all white looks of course And yeah But i didn't do much photos at all.

01:04:21: There is one totally beautiful picture Hohlerholz in this case, so basically also analogue.

01:04:27: The first one I think is my favorite picture with Jeff and Sue.

01:04:31: there were dinner that night.

01:04:33: what's the photo here?

01:04:35: And then we kind of cuddled

01:04:38: each other again.

01:04:39: Stop it!

01:04:39: I'm going to take a digital photo from you.

01:04:42: Cool yes thanks.

01:04:43: The second one was at work.

01:04:46: So David just knifed, believe me, my cameraman My others are working right now.

01:04:51: It's such a classic situation where Jeff takes his arm like this.

01:04:54: Ingo, I have an idea.

01:04:56: Can we walk in from this side to the picture?

01:05:00: It's a classic work situation and you can see me over there... ...and at the back is Marwan who stands next door as well.

01:05:07: That's Jeff's living room!

01:05:08: Very nice!

01:05:09: Ingo

01:05:09: thank you very much for taking your time and telling us about the journey of the road trip until now.

01:05:23: Doku, also you're out there.

01:05:25: I've already told my friends that i'd like to get it back again.

01:05:28: Check the doku from ard media.

01:05:30: take Jeff Bridges analogous adventure Loans.

01:05:34: very much and fifty minutes can be drawn in nicely at night on the couch Very quietly very relaxed.

01:05:40: put your cell phone aside And watch this Doku.

01:05:44: Who should look at the Doku?

01:05:47: who doesn't Jeff Bridges fan is?

01:05:49: or on analog photography.

01:05:51: Or why should people look at these documents that are not Jeff Bridget's fans and put them on analog photographs?

01:05:56: Well, someone

01:05:58: who wants to slow down, want to come here a little bit maybe because of the analog photography discovered for themselves... ...or of course the dude found out for himself!

01:06:07: Because both are something which definitely calms you down.

01:06:10: You can definitely say that.

01:06:11: Jeff also has an extremely funny character in this film which doesn't let anyone wish anything about it.

01:06:17: Yes, what his type is and how he deals with things like that.

01:06:21: How he sees them philosophically and deal with stuff like this.

01:06:24: So it's worth it for him too.

01:06:26: but of course if you're standing on photos or on visuals when making films I think your film will be something

01:06:36: like... Ingo!

01:06:37: Thank you very much for your time.

01:06:38: I hope we had

01:06:40: some fun.

01:06:41: Thanks

01:06:41: a lot as well!

01:06:42: And if the next project about analogue photography Marz bist du jederzeit herzlich gerne eingeladen, wieder hier bei uns am Start zu sein.

01:06:54: Super!

01:06:55: Dann jeder draußen.

01:06:56: vielen Dank fürs Zuhören.

01:06:57: eine schöne Stunde mit Ingo Schmoll.

01:07:00: geht raus macht schon ne Fotos vielleicht mal analog

01:07:03: und

01:07:04: die nächste Folge ist schon in the making.

01:07:06: also bleibt dran bis dahin liebe Grüße.